Specialising in archival digital fine art printing by utilising the highest quality materials to achieve unparalleled print quality. Our extensive range of specialist fine art and photographic papers printed using pigment inks ensure not only superlative colour reproduction but also archival permanence.
The fine art papers and canvas we use are not only ideal for creating stunning prints but can also be augmented using a variety of media, from pastels to acrylic paint thus extending the creative possibilities beyond the print itself.Your print will only be as good as the digital file from which it is printed. Studio Imprimer specialise in photographing your original artwork.The resulting images are processed in our colour corrected working environment and then test printed to achieve superlative colour reproduction.
The fine art papers and canvas we use are not only ideal for creating stunning prints but can also be augmented using a variety of media, from pastels to acrylic paint thus extending the creative possibilities beyond the print itself.Your print will only be as good as the digital file from which it is printed. Studio Imprimer specialise in photographing your original artwork.The resulting images are processed in our colour corrected working environment and then test printed to achieve superlative colour reproduction.
Services
An extensive range of fine art papers are available to compliment your image.
Selected for base colour, surface texture, weight and ultimately print quality, rich deep blacks are achieved, rich dynamic mid tones and highlights characterised by the base paper colour and texture.
As this is a digital print process your prints will be identical each time they are reproduced.
For your convenience we archive your files making repeat ordering trouble free.
Prints can also be enhanced by deckling the edges of the paper, producing a print that looks and feels hand crafted.
Selected for base colour, surface texture, weight and ultimately print quality, rich deep blacks are achieved, rich dynamic mid tones and highlights characterised by the base paper colour and texture.
As this is a digital print process your prints will be identical each time they are reproduced.
For your convenience we archive your files making repeat ordering trouble free.
Prints can also be enhanced by deckling the edges of the paper, producing a print that looks and feels hand crafted.
Ideal for presenting your work either as a stand alone artwork or for keeping your work flat for traditional framing.
Using acid free substrates and adhesive for prolonged longevity, dry mounting is not an archival process as it cannot be reversed.
High quality foam board, light weight and cost effective.
Ideal for temporary displays or dry mounting to keep artwork flat for traditional framing.
Lightweight, rigid and flat, large images can be wall mounted without the need for traditional framing.
Using acid free substrates and adhesive for prolonged longevity, dry mounting is not an archival process as it cannot be reversed.
High quality foam board, light weight and cost effective.
Ideal for temporary displays or dry mounting to keep artwork flat for traditional framing.
Lightweight, rigid and flat, large images can be wall mounted without the need for traditional framing.
This is the starting point for successful Gicle printmaking from your artwork.
Your final print will only be as good as the file it is printed from, therefore we can assist by photographing your artwork and preparing the file for printing.
The only accurate way to assess the final quality of the print is to produce test prints and then make adjustments accordingly.
As this is all done within our colour corrected working environment the results are extremely accurate.
Your final print will only be as good as the file it is printed from, therefore we can assist by photographing your artwork and preparing the file for printing.
The only accurate way to assess the final quality of the print is to produce test prints and then make adjustments accordingly.
As this is all done within our colour corrected working environment the results are extremely accurate.
We are constantly experimenting with new papers, with the papers chosen for their print quality, unique properties and archival performance.
All papers are colour profiled in house for optimum colour reproduction.
We can print from most file types, jpeg, tiff, psd, pdf files but prefer jpegs or Tiff files.
Most errors we see occur in the resizing, sharpening and compression of the images.
We can size your images for you but please do not sharpen the image as this will be undertaken just prior to printing.
All papers are colour profiled in house for optimum colour reproduction.
We can print from most file types, jpeg, tiff, psd, pdf files but prefer jpegs or Tiff files.
Most errors we see occur in the resizing, sharpening and compression of the images.
We can size your images for you but please do not sharpen the image as this will be undertaken just prior to printing.
John Akomfrah's team approached me to produce a set of Gicle prints for his exhibition The Unintended Beauty of Disaster at the highly prestigious Lisson Gallery in London.
The BPPA Assignments 2016 Exhibition encompasses the very best of British Press Photography from the last 12 months.
After carefully assessing and preparing the files for printing, we used a digital baryta paper to print the exhibition.
This exhibition involved a number of different challenges and techniques to represent the different facets of Ian's work.
The BPPA Assignments 2016 Exhibition encompasses the very best of British Press Photography from the last 12 months.
After carefully assessing and preparing the files for printing, we used a digital baryta paper to print the exhibition.
This exhibition involved a number of different challenges and techniques to represent the different facets of Ian's work.
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